Constantine Mountrakis, poetry


The Complete History of Everything

If lives of people
should be complete sentences
then my own is a fragment
adjective-happy,
short on verbs

through a pinprick
in a sheet of paper
I witness
what I believe to be
the narratives of others

what I send through
like the golden plaque
of the pioneer
into irreconcilable spaces
can never be
important enough
to intercept

***

Walk-in Apartment

She rests her head
among her saints
early in the evenings
and tries to sleep
despite the hum
of other people’s laundry

Three feet beneath the living,
three feet above the dead
she rests the fatigued resilience
of the God-tried
in a room
illuminated but poorly
by the faint
day-mimicking light
of her tired face

*

©Constantine Mountrakis
‘Michaux sur son Vélocipède’ – Photograph by Disdéri, 1867



Bio
Constantine Mountrakis is an anthropologist and writer from New York City. He currently lives in Athens, Greece, where he is pursuing a doctorate. Aside from hanging out in a laboratory full of dead people, he also writes. His work has appeared in Red Fez, Punchnel’s, Blue Hour Magazine, and Feile-Festa, among others.

Howie Good, «The wind is out of focus» -poetic prose

MUST BE GENETIC
Everything’s online – guns and victims and suspects. Click a link. The turmoil is irresistible. Must be genetic. Language itself is a kind of treachery. Why perhaps a horse’s ears quiver. I have been meaning to ask, What’s it like to be the last fire engine in hell? Busy, probably. The son of man raises a warning finger before anyone can comment. I’m wise enough not to say what I think, but not wise enough not to think it.
GONE TO MEXICO
He vanished over the border. It’s been a hundred years and still no trace. I’m waiting for you outside the Starbucks in Buzzards Bay. I could be waiting for him to stroll up, an English-Spanish dictionary under his arm. A woman at one of the sidewalk tables is talking on her cell about cutting everyone’s hours. She’s twenty-something and almost pretty. I watch the afternoon heat rise in waves from the blacktop. “It is what it is,” the woman says. She glances at me and then away – not ashamed, just uninterested. Every day is a heart hooked up to a monitor, another cat shot with an arrow.
AMBIENT NOISE
The wind is out of focus. Soon you and everyone else related to me will begin to suffer the effects. The wind screams something about invisibility, spyware, a garden of beheaded flowers. It screams all night. In the morning, I sit at the kitchen table, unable to concentrate on what I’m reading. I listen in on the inane conversation of the birds at the feeder. There are tremors and a drooling sky. Juror No. 3 doesn’t seem to like me. I call the emergency number. I’m the emergency.
DON’T DIE
You’re whichever tree, the beech tree or the silver birch, sheds its leaves first. Blood that should only flow out parts of your heart flows back in. There are no secrets allowed, and no do-overs either, a line of buildings in the distance like so many tall knives. If thoughts made a noise, the noise my thoughts made would be moderate to severe, the flap-flap-flap of winged skulls hunting insects in the dark.
OBSCURE SIGNS OF PROGRESS
A man watches from somewhere nearby. The existence of angels would constitute a violation of U.S. airspace. You had been hoping for a quiet night tonight and, in the morning, caves of brightness. The man shields his eyes. You’re either a victim or a suspect. There’s always a choice. Repeat after me, Love is death turned inside out.

*
©Howie Good
photo: André Kertész, «Long Island» 1936

Bio
Howie Good, a journalism professor at SUNY New Paltz, is the author of the forthcoming poetry collection The Middle of Nowhere (Olivia Eden Publishing) and the forthcoming poetry chapbooks The Complete Absence of Twilight (Mad Hat Press), Echo’s Bones and Danger Falling Debris (Red Bird Chapbooks), and An Armed Man Lurks in Ambush (unbound CONTENT). He co-edits White Knuckle Press with Dale Wisely. goodh51@gmail.com

Des Donnelly, «watching the tall and the short and the failed» -poetry

Navaho Hand Signals

I detected an amount of Navaho hand signal
creeping into the Queen of England’s waves
this really bothered me
thinking one of us must be imagining things
probably a mixture of Parkinsons and Alzheimers
although she never knew where the kitchen was in the first place
or what day the bins went out
or why she bothered exchanging waves with ordinary people.
The advisors remained smug
satisfied she could never climb over the railings
well, not without inside help
British duplicity always lurking, waiting,
with an arrow for the backs

***

Botched Suicides

I woke up after the attempt
with a straw up my ass.
I knew this seemed strange
almost able to taste right from wrong.
This is the problem with botched suicides
you end up a serious burden
or an easy target for sadistic carers
inserting tubes in the wrong places
for badness or kicks or boredom
meanwhile what is left of your brain
is like a runaway car, all hit or miss
you stand there in a pathetic way
a spastic flailing a broken tennis racket
hoping praying for a connection
with what is left of your intelligence
just enough to ask yourself;
was this smart?

***

The Ghost Of Amadeus

I hear music after switching off the radio
even I know this is not good
my mind filling in the missing bits
that aren’t or may not be there
I think about transcribing what I’m hearing
wondering how to write it down
or will make sense to a non prescient musician
perhaps then I‘d be in business
reborn as the ghost of Amadeus
tidying up my unfinished stuff first
then moving on to the echoes in my soul
not really caring if they liked it or not
content to see the staves filled in
knowing it would outlive current critics
their time always short, just limited to one life,
ask any dead composer or poet.

***

The Riverside Café

in the Riverside café
watching the tall and the short and the failed
an almost genuine bag lady
bent over her trolley protectively
pseudo professional men
with matching ties and shirts
and bags of foolish books
on the fringe the young hard men
with tints in their hair
swaggering in the sun the colour reflected
loud and bellicose in their clump
clearing their footpath with their auras
room to let their heads expand
the gentleman in a funeral black coat
stout shoes clicking and clacking on the tiles
a Victorian kind of formal in his step
and the arm for his companion,
poignant…
like the closing scene in a sad film
slivers of life that cut like glass

©Des Donnelly
photos 19th cent. creative commons


Des Donnelly – Poet, Co Tyrone, Ireland www.drax.ie & www.poet.ie was born in County Tyrone in the North of Ireland in 1955. He hasn’t won anything. Inured to poetry by psychotic Christian Brothers masquerading as teachers he returned to writing poetry in the early 90’s. His work has been published in an anthology of Tyrone poets and online via Right Hand Pointing. He received an award from the Northern Irish Arts Council for a collaboration with textile artist Clare McCarroll. Themes of struggle, woman and god’s ambivalence dominate. His inspiration is often drawn from a single word or a fleeting image that is skewed in some way, that jumps out unbidden, often unwanted. He also writes under the pseudonym ‘Drax’.